In this paper, I analyse Alison Landsberg’s concept of prosthetic memories from a phenomenological perspective. Prosthetic memory, while sharing similarities with both personal and collective memory, is neither exclusively personal nor strictly collective, emerging as a product of new media in mass communication. According to Landsberg, prosthetic memories have four main characteristics: the recaller experiences them as firsthand accounts despite not personally living through the events, these memories often revolve around traumatic events, have a commodified form, and are ethically useful. Using Husserl’s theories on memory consciousness and image consciousness, and contemporary phenomenological research on violence, I provide a phenomenological account for the first three characteristics of prosthetic memory. The key factors contributing to their quasi-personal and quasi-collective nature lie, on the one hand, in the presence of imagistic violence and, on the other hand, in their mass-mediated image character.
PROGRAM: Fenomenologia expresiei artistice: poezie, muzică, arte vizuale (Conferința anuală SRF, Cluj-Napoca, 15-16 noiembrie 2024)
Conferința anuală a Societății Române de Fenomenologie este organizată în colaborare cu Universitatea Babeș-Bolyai din Cluj-Napoca și Casa Tranzit Data: 15-16 noiembrie 2024 Loc: Casa Tranzit, str. George Barițiu, nr 16, Cluj-Napoca https://g.co/kgs/feR5HX4...