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Cristian Ciocan, “Violence and image”, Continental Philosophy Review, 2021

Our most current experience of violence is not predominantly violence “given in the flesh,” but violence given through the mediation of the image. The phenomenon of real violence is therefore modified through the imagistic experience, involving first of all its emotional, embodied and intersubjective dimensions. How is the emotion constituted in the face of depicted violence, in contrast to the lived experience of real violence? Is the intersubjectivity modified when (symmetrical or asymmetrical) violence appears pictorially? What specific embodied dimensions are particularly engaged when violence is lived as an image, and not as a real phenomenon? The phenomenon of imagistic violence can also be understood in contrast with the experience of violence lived in phantasy, memory, or dreaming. Also, since each type of image puts into play certain possibilities of depicting violence, making possible various subjective experiences of violence, it crucial to explore how this experience fundamentally depends on the type of image by which the phenomenon of violence is depicted, be it painting, photography, fiction film, documentary or media image.

CfP Studia Phaenomenologica vol. 22 / 2022: GESTURES

Guest Editors: Christian Ferencz-Flatz & Delia Popa In recent years, gestures have moved into the center stage of theoretical interest. Prepared by various forays in the field of psychology, sociology, anthropology, and linguistics, which led to an increased focus...

Nicolae Turcan, “Liturgy and Apophaticism”, Religions 12(9), 2021

The Orthodox liturgy is a religious phenomenon that can be analyzed phenomenologically and theologically alike, given the emphasis that both phenomenology and Orthodox theology place on experience. By proposing the Kingdom of God instead of the natural world without...