The paper aims to rectify the reception of Heidegger’s so-called “hermeneutic violence,” by addressing the under-investigated issue of its actual target and rationale. Since the publication of Kant and the Problem of Metaphysics, his immediate readers, such as Cassirer, as well as more recent commentators, accused Heidegger of doing violence to Kant’s and other philosophers’ texts. I show how the rationale of Heidegger’s self-acknowledged violence becomes tenable in light of his personal notes on his Kant book, and of several hermeneutic tenets from Being and Time. The violence at stake turns out to be a genuine method, involving the appropriation (Zueignen) and the elaboration (Ausarbeiten) of an interpreted text. Its target, I argue, is not the text itself, as it was often assumed, but its reception by a community or tradition. Thus, that violence may well instill interpretive conflict, yet its purpose is to salvage a text from a conventional and ossified reception, namely, from what Heidegger regards as the authoritarianism of idle talk (Gerede) in a philosophical milieu.
PROGRAM: Fenomenologia expresiei artistice: poezie, muzică, arte vizuale (Conferința anuală SRF, Cluj-Napoca, 15-16 noiembrie 2024)
Conferința anuală a Societății Române de Fenomenologie este organizată în colaborare cu Universitatea Babeș-Bolyai din Cluj-Napoca și Casa Tranzit Data: 15-16 noiembrie 2024 Loc: Casa Tranzit, str. George Barițiu, nr 16, Cluj-Napoca https://g.co/kgs/feR5HX4...