Heidegger’s philosophical work is driven by a radical criticism of the idealist view that being is posited by the human subject. However, in developing his conception of the finitude of being, Heidegger finds decisive sources of inspiration in the work of Schelling and Hegel. His account of truth as a concealing disclosure of meaning comes unexpectedly close to Hegel’s concept of negativity; this leads him to gradually radicalize his critique of Hegel’s understanding of the concept and to redefine philosophical thinking. Heidegger finds an ally in Schelling and especially in the distinction between being as “ground of existence” and being “insofar as it exists.” He uses this distinction in his efforts not only to undermine the metaphysical quest for self-foundation but also to articulate his own conception of ethos.
PROGRAM: Fenomenologia expresiei artistice: poezie, muzică, arte vizuale (Conferința anuală SRF, Cluj-Napoca, 15-16 noiembrie 2024)
Conferința anuală a Societății Române de Fenomenologie este organizată în colaborare cu Universitatea Babeș-Bolyai din Cluj-Napoca și Casa Tranzit Data: 15-16 noiembrie 2024 Loc: Casa Tranzit, str. George Barițiu, nr 16, Cluj-Napoca https://g.co/kgs/feR5HX4...